A historical turning point is a moment, perhaps small, perhaps larger, that becomes uniquely causative of events that follow. Obvious examples might include the assassination of the Archduke Ferdinand that set off World War One, the U.S. Supreme Court handing the election to George W. Bush instead of Al Gore, or 9-11.
The
enthralling new documentary directed by Iranian film maker Taghi Amirani and edited and co-written by the renowned film
editor Walter Murch (“Apocalypse Now”; “English Patient”) is a meticulous
backward look at an event that still determines much of the resentment Iran
feels toward the government of the United States—and Britain: the 1953 coup
which overthrew Mohammed Mossadegh, the democratically elected leader of Iran.
At least the U.S. has admitted its
complicity; the British intelligence service, MI6, never has, and thereby
arises the thriller aspect of this astonishing film. Combing through reams of
old documents, film archives, audio- and videotapes, Amirani and Murch come
upon a shocking find that explodes a long and careful cover-up.
Meanwhile, multiple interviews with
Iranians and Brits who were present at the time of the coup, some of whom are
so old that they have died since the film was finished, illuminate the context
and the actual tragic events as they unfolded.
We begin to know Mossadegh himself,
a dignified, intellectual, and incorruptible official whose laudable goal was
to transform Iran into a modern secular state. For him, that required that Iran
nationalize the Anglo-Iranian Oil Company, which had for decades been screwing
Iran out of its fair share of oil profits.
Suddenly Mossadegh beat out
Eisenhower or Churchill for the choice of Time Magazine’s Man of the Year, not
as a hero of reformist government but as a sower of chaos. The U.S. and British
powers that be, via their intelligence services, provided the cash—amazingly,
it did not take all that much—to buy off Iranian journalists and hire mercenary
provocateurs who took to the streets and inspired mobs to rise up against
Mossadegh.
We know the rest of the story—or we certainly
ought to. The Shah of Iran was installed, with the US. training his notorious secret
police, SAVAK, in rituals of torture and surveillance. Eventually there was the
inevitable reaction, and the Shah had to go into exile, leaving the ayatollahs
to take over, which led to the 1979 taking of 52 American hostages as well as
deep Iranian-American mutual resentment and suspicion that has lasted to this
day. And the hostage-taking was surely a crucial factor in Reagan’s defeat of
Carter.
The American secret establishment
drew precisely the wrong lesson from the “success” of the overthrow of
Mossadegh, and from thence came a rolling series of perversities such as the
assassination of Patrice Lumumba, leader of the Congolese independence movement,
the overthrow of Arbenz, another democratically elected leader in Guatemala, the attempt to overthrow Ho Chih Minh
in Vietnam,
and the Bay of Pigs debacle.
Of course it is impossible to say
exactly what might have happened if Mossadegh had been allowed to stay in
power, but one possibility, crushingly unrealized today, is that there would be
one more modern, thriving democracy in the middle of the Middle East.
One thing is certain: given the low
state of American-Iranian relations at the moment, this film, riveting on its
own merits, now carries the weight of a profoundly greater relevance than the
filmmakers could have possibly expected when they began the project over a
decade ago.
The
film - which premiered at the Telluride Film Festival in 2019 - has received
audience awards from the Vancouver International Film Festival and has been
nominated for the Grierson and BIFA awards. It will be theatrically
distributed later in 2020. Here is a link to a preview.
Perhaps “Coup 53” itself will become
a turning point—toward a warmer relationship between the “West” and Iran.